Byways roger deakins8/19/2023 It was at Art College where I really discovered photography. It was the ’60s and I didn’t know what to do, so I went to Art College. My father was a building contractor and he had expected me to work in the business, and I could not see myself doing that. I always did, but I couldn’t see myself spending my life there. I grew up in Torquay, a seaside town in Southern Devon - I love the place. When I was a teenager, I really didn’t know what to do with my life. I think of them as just sketches that I’ve done over the years.īTL: How did you get started taking pictures?ĭeakins: I started at Art College. ![]() Deakins: We were struggling with the title and, at one point, I just wrote down the expression ‘The highways and byways.’ I thought Byways, that’s about right, there’s no particular focus to the photos. Our conversation below has been edited for clarity.īelow the Line: How did you come up with the title of the book? Late last year, I connected with Deakins via Zoom to discuss Byways. Evoking a mood that is timeless and lasting, it’s the kind of photography book that could stop you in your tracks with its lush imagery. ![]() Meditative and inviting, it is a beautiful collection of black-and-white images. ![]() And yet, as intricate and complex as those productions were, when I first looked upon the pages of Byways, I was taken with its simplicity and charm. In fact, the latter two films earned him Oscars. More recently, Deakins has been busy shooting epic films like Sicario, Blade Runner 20, which are all career-bests from a career of bests. The appropriately titled Byways is Deakins’ first book of photos, and it’s certainly a striking departure from his grandiose film work, which includes personal favorites of mine such as Sid and Nancy, The Shawshank Redemption and Barton Fink. Late last year saw the release of a brand new book of photography by legendary cinematographer Roger A.
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